FBI agents (Christopher Meloni, Dave Bautista) uncover a conspiracy while trying to nail a group of deadly bank robbers.
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A psychotic sniper (Pat Healy) terrorizes a bank robber (James Landry Hébert) and his hostage (Ashley Bell) in the California desert.
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Nuria is a young girl with a good life, a boyfriend to marry him and a parents who love her, but a problem: she still is married with Jorge. Former CEO, Jorge lives almost in the ruin together his ex boss and friend Lucas. After two years separated, Jorge doesn’t forget her, but Nuria tries to ask him files for divorce when she wrongly discovers that Jorge has tried to commit suicide jumping by a window. Feeling responsible by it, Nuria talks with her parents Miguel and Patricia, according cheat Jorge for that he beliefs that they aren’t divorced and Miguel didn’t lose his company due to the Jorge’s bad business inversions that ruined his parents-in-law, in order to get the divorce without pain for anybody. The real problem is what when the lies accumulate, the situation is each time more dangerously out of control.
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Production problems affect the filming of the movie “Le Mans” in 1970, a passion project for Hollywood icon and racing enthusiast Steve McQueen.
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Tris (Shailene Woodley) escapes with Four (Theo James) to journey beyond the wall that encloses Chicago. For the first time, they leave the only city and family they have ever known to find a peaceful solution. Once outside, they learn shocking new truths that render old discoveries meaningless. As the ruthless battle threatens humanity, Tris and Four quickly decide who to trust to survive. Tris must ultimately make difficult choices about courage, allegiance, sacrifice and love.
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Members (Anton Yelchin, Alia Shawkat) of a punk-rock band and a tough young woman (Imogen Poots) battle murderous white supremacists at a remote Oregon roadhouse.
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In 1980 Texas, a college freshman (Blake Jenner) meets his new baseball teammates (Will Brittain, Ryan Guzman), an unruly group of disco-dancing, skirt-chasing partyers.
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Centers on Hollywood’s first wunderkind studio executive in the 1930s, Monroe Stahr, and the power struggle between him and his mentor and current head of the studio Pat Brady.
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