A serial killer (Nawazuddin Siddiqui) stalks the drug-addicted detective (Vicky Kaushal) who’s investigating his grisly murders.
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In the 1940s, New York socialite Florence Foster Jenkins (Meryl Streep) dreams of becoming a great opera singer. Unfortunately, her ambition far exceeds her talent. The voice Florence hears in her head is beautiful, but to everyone else it is quite lousy. Her husband St. Clair goes to extreme lengths to make sure his wife never finds out how awful she truly is. When Florence announces her plans for a concert at Carnegie Hall, St. Clair soon realizes that he’s facing his greatest challenge yet.
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Two people (Kristen Stewart, Nicholas Hoult) fall in love in an oppressive society where human emotions have been eradicated.
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It’s been nearly a decade since Tarzan (Alexander Skarsgård), also known as John Clayton III, left Africa to live in Victorian England with his wife Jane. Danger lurks on the horizon as Leon Rom (Christoph Waltz), a treacherous envoy for King Leopold, devises a scheme that lures the couple to the Congo. Rom plans to capture Tarzan and deliver him to an old enemy in exchange for diamonds. When Jane becomes a pawn in his devious plot, Tarzan must return to the jungle to save the woman he loves.
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The insurgence of substance abuse among the young in the Indian state of Punjab through the stories of a rock star, a migrant laborer, a doctor and a policeman.
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Three Sri Lankan refugees (Jesuthasan Antonythasan, Kalieaswari Srinivasan, Claudine Vinasithamby) pretend to be a family as they try to make better lives for themselves in a Parisian housing project.
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Maisie and Daisy McCormack hijack a children’s film and take the audience on a tour of their journey to adolescence.
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BLACK TAR ROAD is a gritty, dark, love story between two women, Heather and Charlie, who meet at a desolate truck stop. Charlie McElroy (Amber Lee) is a drug mule, who mules drugs for an operation that is run out of an interstate truck stop. After Charlie hangs around town where she meets Heather Plath, (Noelle Messier) a hardened truck stop prostitute who’s spent her life in the rural landscape. Few films are more despairing and yet, curiously, so hopeful as this one, which argues that even at the very end of the road, at the final extremity, we can find some solace in the offer and acceptance of love. These women fall in love with each other.
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